A color that is lighter than its basic hue is known as a tint. A color that is darker than its basic hue is called a ________.
0%
hue
0%
shade
0%
False
0%
analogous
Q.2.
Creating visual weight and counterweight is part of an artist's use of the element of ________ in creating a work of art.
0%
intimacy
0%
shade
0%
balance
0%
False
Q.3.
Formal analysis can be done on paintings, but not on sculptures.
0%
True
0%
False
Q.4.
Motion is not the only indicator of the passage of time in art. ________ use the changing properties of organic material to create a sense of time passing in their art.
0%
proportions
0%
optical color
0%
Bioartists
0%
monumental
Q.5.
An artwork can have only one focal point.
0%
True
0%
False
Q.6.
Memento mori refers to:
0%
the illusion of motion
0%
all of the other answers
0%
none of the other answers
0%
compositional, conceptual, gestalt
Q.7.
When ________ colors are mixed, they make a duller and darker color because more of the visible spectrum is absorbed.
0%
monumental
0%
subtractive
0%
hierarchical scale
0%
temperature
Q.8.
An artist might use a small scale for a portrait of a lover because it implies ________.
0%
unity and variety
0%
elements
0%
intimacy
0%
balance
Q.9.
An artist creates an artwork made up of many different shapes, all in varying shades of blue. This artwork uses the following principles of art:
0%
hierarchical scale
0%
unity and variety
0%
intimacy
0%
broad emphasis
Q.10.
This is the most vivid element of art and design.
0%
field
0%
value
0%
False
0%
color
Q.11.
Which of the following can create a pattern?
0%
color
0%
all of the other answers
0%
none of the other answers
0%
A museum website
Q.12.
Colors that do not contrast strongly with each other, and which are similar in wavelength, are ________ colors.
0%
complementary colors
0%
analogous
0%
shade
0%
focal point
Q.13.
The kind of scale used for objects that appear larger than they are in real life is called ________ scale.
0%
focal point
0%
proportions
0%
monumental
0%
elements
Q.14.
This proportional system uses a ratio of 1:1.618.
0%
Golden Section
0%
a repetitive
0%
subordination
0%
A museum website
Q.15.
This is the specific part in an area of emphasis to which the viewer's eye is drawn.
0%
proportions
0%
performance art
0%
focal point
0%
optical color
Q.16.
This art movement of the 1960s relies on perceptual anomalies of the human eye to create dynamic effects.
0%
Op art
0%
focal point
0%
field
0%
proportions
Q.17.
The element of art that describes the relative lightness or darkness of a hue, compared to another hue, is known as ________.
0%
balance
0%
unity
0%
value
0%
False
Q.18.
A pattern with regular intervals creates ________ rhythm.
0%
proportions
0%
temperature
0%
a repetitive
0%
intimacy
Q.19.
Traditional visual arts, such as painting, are inherently static, but artists have always found inventive ways of conveying the elements of ________ and ________.
0%
broad emphasis
0%
time . . . motion
0%
hierarchical scale
0%
unity and variety
Q.20.
The kind of motion that is created by showing a series of static images in quick succession is called ________.
0%
stroboscopic motion
0%
proportions
0%
broad emphasis
0%
the illusion of motion
Q.21.
When an artist creates a work that deceives our eyes into believing there is motion as time passes, this is called ________.
0%
the illusion of motion
0%
stroboscopic motion
0%
unity and variety
0%
optical color
Q.22.
Analogous color combinations can be used to create unity and steer viewers toward a particular attitude or emotion. Mary Cassatt's The Boating Party uses yellow, green, and blue hues to create a ________ and ________ composition.
0%
unity and variety
0%
time . . . motion
0%
complementary colors
0%
harmonious...relaxed
Q.23.
If you were to look at a t-shirt that absorbed the colors violet, blue, green, yellow, and orange, what color would the t-shirt appear to be?
0%
two
0%
broad emphasis
0%
field
0%
red
Q.24.
The term used for referring to each of the basic colors of the spectrum is ________.
0%
False
0%
hue
0%
pattern
0%
shade
Q.25.
Any of the ________ of art can help focus our interest on specific areas of a work of art.
0%
A museum website
0%
proportions
0%
elements
0%
analogous
Q.26.
When complementary colors are used next to each other in a composition, they produce a visual anomaly called simultaneous contrast. This visual effect makes the colors appear to ________ along the boundary where the two colors meet.
0%
Bioartists
0%
subtractive
0%
vibrate
0%
value
Q.27.
What element describes the imposition of order and harmony on a design?
0%
unity
0%
value
0%
pattern
0%
intimacy
Q.28.
Colors that are on opposite sides of the color wheel are radically different in wavelength and are called ________.
0%
optical color
0%
complementary colors
0%
unity and variety
0%
hierarchical scale
Q.29.
The three kinds of unity are:
0%
subordination
0%
none of the other answers
0%
proportions
0%
compositional, conceptual, gestalt
Q.30.
When an artist wants to highlight the entire surface of his or her work, without regard for any particular area, this is called ________.
0%
proportions
0%
broad emphasis
0%
unity and variety
0%
hierarchical scale
Q.31.
The recurrence of a single element in a work of art is called ________.
0%
False
0%
proportions
0%
value
0%
pattern
Q.32.
An artwork that uses many hues but only one value is called monochromatic.
0%
True
0%
False
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