Listen to the following two examples from a piece in rondo form. Which represents theme (4:25)
0%
Excerpt B (1:59)
0%
Except A (00:00)
0%
Excerpt C (3:49)
0%
Mozart and Haydn
Q.3.
Does the following excerpt move mainly by disjunct, conjunct, or repeated tones?3:29
0%
The melody in this excerpt moves mainly in repeated tones.
0%
Repeated tones
0%
Jean Sibelius
0%
Excerpt A (:13)
Q.4.
Which characteristic of texture in this example is closely associated with the music of the contemporary period
0%
Excerpt B (1:59)
0%
Mixed melodic directions with a transitional character
0%
Melodic motion and melodic repetition are both effective ways of creating tension and relaxation
0%
Thick texture with four in frequently dissonant chords.
Q.5.
Which of the following composers and vision operas as musical dramas a combination of all arts
0%
Wagner
0%
Binary form
0%
C (0:08)
0%
Vivace
Q.6.
A musical phrase does not necessarily need to have a sense of completion in and of itself
0%
True
0%
False
Q.7.
This piece is a good example of (01:38)
0%
strophic form
0%
Troubadour song
0%
Polyphony
0%
Polyphonic
Q.8.
The following excerpt represents (2:58) singing
0%
A mixture of polyphonic and homophonic textures
0%
Clara week Schumann
0%
Melody with harmonic accompaniment
0%
False
Q.9.
Which of the following composers invented the 12 tone system of composition
0%
It contrasts a group of instruments with solo instruments
0%
Arnold Schoenberg
0%
Igor Stravinsky
0%
False
Q.10.
The composer pictured above is best known for taking older forms of styles and redefining them in modern ways Anthony Dvorak was inspired by his Hungarian dance number one with what is a composer's name
0%
False
0%
Chopin
0%
1820-1910
0%
Brahms
Q.11.
The fact that most clearly distinguish is the example for music in earlier period. The use of
0%
Melody with harmonic accompaniment
0%
Columbus discover the new world
0%
Chopin
0%
Extended dissonance that doesn't resolve directly to consonants
Q.12.
In 20th century music traditional harmony in tonality were defined or rejected in favor of
0%
Shape, direction, and range
0%
Atonality and surrealism
0%
Haydn or Beethoven
0%
Neoclassicism
Q.13.
The following excerpt represents melody by itself without harmonic accompaniment (6:50)
0%
True
0%
False
Q.14.
The following pieces is a Madrigal is by Thomas weelkes
0%
A mixture of polyphonic and homophonic textures
0%
Excerpt C (3:49)
0%
Excerpt B (00:39)
0%
False
Q.15.
Which of these statements best describes the unique Rhythmic feature in this example
0%
Vivace
0%
Excerpt A (:16-3:40)
0%
The dramatic use of silence
0%
Sederunt Principes
Q.16.
The earliest surviving opera then called drama per musica was written by a member of the Florentine Cammarata named
0%
Binary form
0%
Double stops
0%
Accelerando
0%
Jacopo Peri
Q.17.
This example is(1:40-2:10)
0%
Compositions were based on logic and controlled feeling
0%
The independence and equality of concurrent melodic lines
0%
From a renaissance composition having its roots in folk songs
0%
Melodic motion and melodic repetition are both effective ways of creating tension and relaxation
Q.18.
According to the text in rondo form the repeating themes are separated by
0%
False
0%
Mozart and Haydn
0%
Mazurka
0%
contrasting episodes
Q.19.
Usually, folk tunes, songs, spirituals, and hymns are not good examples of strophic form.
0%
True
0%
False
Q.20.
The dynamics in this example is best described as start (:18)
0%
Repeated tones
0%
Terraced dynamics
0%
Excerpt B (1:59)
0%
Leonin and Pérotin
Q.21.
The trumpet melody in the following excerpt can be best describes as:
0%
True
0%
Disjunct
0%
Rubato
0%
Oratorio
Q.22.
The following excerpt comes from the famous area of the Mosers most enduring operas identify the opera in the question
0%
The magic flute
0%
The dramatic use of silence
0%
False
0%
Excerpt C (3:49)
Q.23.
The following represent monophonic texture (7:57)
0%
True
0%
False
Q.24.
The characteristics of a melody may be best describes in terms of
0%
Columbus discover the new world
0%
Shape, direction, and range
0%
Leonin and Pérotin
0%
Melody with harmonic accompaniment
Q.25.
Which of the following 20th century transit to restore order Harmony and emotional restraint to the music
0%
Jean Sibelius
0%
Neoclassicism
0%
The dramatic use of silence
0%
Mozart and Haydn
Q.26.
Which of the following Italian tempo terms best applies to this section
0%
Excerpt A (:16-3:40)
0%
Wagner
0%
strophic form
0%
Vivace
Q.27.
Consonant harmonies usually provide a feeling of tension.
0%
True
0%
False
Q.28.
The following music excerpt features start(18:28)
0%
True
0%
A mixture of polyphonic and homophonic textures
0%
Melody with harmonic accompaniment
0%
Excerpt C (3:49)
Q.29.
According to the text which of the following is not considered from program music
0%
False
0%
Mazurka
0%
Polyphony
0%
Excerpt A (:13)
Q.30.
In the early days of the church, the only music allowed during the service was
0%
Jean Sibelius
0%
Double stops
0%
Features all 3
0%
vocal music
Q.31.
The following excerpt represents a melody without harmonic accompaniment (4:32)
0%
True
0%
False
Q.32.
Which excerpt is from Gilliard aOne of William Byrd's last works
0%
Excerpt C (3:49)
0%
Excerpt B (1:59)
0%
Excerpt B (00:39)
0%
Excerpt A (00:00-5:45)
Q.33.
The proper musical term for "increasing the tempo" is
0%
Jacopo Peri
0%
Accelerando
0%
Rubato
0%
Over the staff
Q.34.
The excerpt demonstrates the principle of repetition (4:43)
0%
True
0%
False
Q.35.
Which one of the following is not general characteristics of the romantic music
0%
Compositions were based on logic and controlled feeling
0%
The melody in this excerpt moves mainly in repeated tones.
0%
The dramatic use of silence
0%
Extended dissonance that doesn't resolve directly to consonants
Q.36.
Which of the following excerpt is an example of an aria
0%
Except A (00:00)
0%
Gershwin
0%
Excerpt A (:16-3:40)
0%
Sederunt Principes
Q.37.
This piece is a good example of (4:40)
0%
Polyphonic
0%
homophonic texture
0%
homophony
0%
Troubadour song
Q.38.
The tempo of this example could be described as: 2:55
0%
Rubato
0%
Polyphonic
0%
False
0%
True
Q.39.
This excerpt is most likely from a...:20
0%
True
0%
Troubadour song
0%
strophic form
0%
Excerpt B (1:59)
Q.40.
This movement from a piano sonata by Beethoven exemplifies:
0%
It contrasts a group of instruments with solo instruments
0%
Arnold Schoenberg
0%
Syncopation
0%
Rondo form
Q.41.
This is know as (4:24)
0%
Gregorian Chart
0%
Mozart and Haydn
0%
Troubadour song
0%
Excerpt A (:13)
Q.42.
The texture of this excerpt is: 2:55
0%
Polyphonic
0%
Pitches
0%
Polyphony
0%
Accelerando
Q.43.
Audience immediately embraced dodecaphonic work from Arnold Schoenberg
0%
True
0%
False
Q.44.
The secret text and overall musical style this example suggested this part of an
0%
Arpreggio
0%
Oratorio
0%
Downward at first then static
0%
Polyphonic
Q.45.
Which of the following choices is the defining characteristic of polyphony
0%
The independence and equality of concurrent melodic lines
0%
Excerpt B (1:59)
0%
Columbus discover the new world
0%
Polyphony
Q.46.
Notes that don't belong in the traditional scale or known as _________ alterations
0%
Gershwin
0%
Chromatic
0%
Features all 3
0%
Disjunct
Q.47.
According to the text, tempo can be described as weak or strong
0%
True
0%
False
Q.48.
A string [ ] is composed of two violins, one viola, and a cello.
0%
Mazurka
0%
False
0%
quartet
0%
Disjunct
Q.49.
Which of the following is not based on the principle of repetition
0%
Binary form
0%
Excerpt A (:16-3:40)
0%
Gershwin
0%
Excerpt B (00:39)
Q.50.
The following piano Sonata was composed by one of the first female virtuoso performers identify the composer
0%
Excerpt C (3:49)
0%
Clara week Schumann
0%
The magic flute
0%
False
Q.51.
The following represents a homophobic texture (2:14)
0%
True
0%
False
Q.52.
Suppose you're listening to the first movement of symphony written in classical. You have heard of the first section in which two themes for introduced a second section in which segments of these themes are expanding the developed what would you expect next
0%
Charlemagne
0%
Brahms
0%
A mixture of polyphonic and homophonic textures
0%
A very repeat of the first section with a return to the two original themes
Q.53.
The course place is that romantic period In the music between the years
0%
homophony
0%
Oratorio
0%
Accelerando
0%
1820-1910
Q.54.
Which of the following represents secular musics
0%
Gershwin
0%
Wagner
0%
Excerpt B (00:39)
0%
C (0:08)
Q.55.
Which of the following is NOT a chant of the proper mass
0%
Excerpt A (00:00-5:45)
0%
Excerpt B (00:39)
0%
strophic form
0%
Sederunt Principes
Q.56.
Which statement is correct
0%
Thick texture with four in frequently dissonant chords.
0%
Melodic motion and melodic repetition are both effective ways of creating tension and relaxation
0%
Individualism, humanism, and secular values started to flourish once again.
0%
The independence and equality of concurrent melodic lines
Q.57.
Which of the following events occurred in America during the time period known as the Renaissance
0%
Binary form
0%
Columbus discover the new world
0%
C (0:08)
0%
Excerpt A (:13)
Q.58.
The musical example illustrates a chord played one note after another. This is called.
0%
Disjunct
0%
Arpreggio
0%
vocal music
0%
Features all 3
Q.59.
The dates from the medieval period are generally
0%
Gershwin
0%
Disjunct
0%
Polyphony
0%
1150-1450
Q.60.
The following excerpt is an example of ritardando 0:59
0%
True
0%
False
Q.61.
The following excerpt represents melody with harmonic accompaniment (3:47)
0%
True
0%
False
Q.62.
The piano piece exemplifies (2:34)
0%
Polyphonic
0%
Gershwin
0%
True
0%
Ternary
Q.63.
Which of the following is a composer for this piece
0%
strophic form
0%
Rubato
0%
Gershwin
0%
Mozart and Haydn
Q.64.
Which of the following were important composers of the classical period
0%
Excerpt A (:16-3:40)
0%
Sederunt Principes
0%
Mozart and Haydn
0%
Excerpt A (:13)
Q.65.
Which of the following examples features melismatic singing
0%
Excerpt A (:16-3:40)
0%
Excerpt C (3:49)
0%
Example C (00:27)
0%
Columbus discover the new world
Q.66.
During the Renaissance what was the name what was the name composers gave to the original Chant used as the basis for the main melody in a composition
0%
Cantus firmus
0%
Ternary form
0%
Mazurka
0%
Double stops
Q.67.
From which of the following pairs would you choose most likely composers of this example(8:15)
0%
Haydn or Beethoven
0%
Leonin and Pérotin
0%
Sederunt Principes
0%
The dramatic use of silence
Q.68.
A baroque Ontario is
0%
It contrasts a group of instruments with solo instruments
0%
A multi movement sacred work similar to opera
0%
Igor Stravinsky
0%
Charlemagne
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