-Golden age of a cappella style -imitative polyphony -harmony: fuller chords, 3rds and 6ths -carefully controlled dissonance -duple meter
0%
Additive meter
0%
Jacques Arcadelt (c. 1507-1568)
100%
Explain renaissance style
0%
Pentatonic scale
Q.2.
-"Fixed Song"-Entire mass based on one melody-Basis of polyphonic compositions of the MIDDLE AGES and RENAISSANCE. -The tune was taken from a Gregorian Chant =it would move very slowly under the more rapid vocal/instrumental lines above it.
100%
Heterophonic
0%
cantus firmus
0%
active chords
0%
Additive meter
Q.3.
soloist with piano
0%
Accelerando:
100%
Duo sonata:
0%
Idiophones:
0%
Harmonics:
Q.4.
-Secular vocal composition for three to eight voices flourished at Italian courts-short poems: lyric or reflective character-music enhanced poetry-word painting: music depicts emotional words =weeping, sighing, trembling, etc.-instruments double or substitute voices
0%
The Italian Madrigal
100%
Ordinary of the Mass
0%
What was secular renaissance music like in court and city life?
0%
Guillaume de Machaut
Q.5.
fugue
0%
Listening Guide 8: Arcadelt, Il bianco e dolce cigno (The white and sweet swan) (1538)
0%
One of the major advancements in the Renaissance was the invention of printing, pioneered by:
0%
In a conducting pattern, which is the strongest beat in any meter?
100%
The final section of Britten's The Young Person's Guide to the Orchestra is a
Q.6.
Playing in a different key from the key intended.
0%
Syncopation
100%
Modulation
0%
Transposition
0%
Tonality
Q.7.
-six-part, a cappella male choir-monophonic opening-homorhythmic and polyphonic textures follow-clear declamation of the text-full, consonant harmony
0%
In a conducting pattern, which is the strongest beat in any meter?
0%
Explain the new musical style, early 14th-century France, then Italy
0%
Pentatonic scale
100%
Listening Guide 7: Palestrina, Pope Marcellus Mass, Gloria (1567)
Q.8.
"Fall of Roman empire 476 AD"
0%
What even marked the unofficial beginning of the Middle ages?
0%
Contrabassoon:
100%
Martin Luther (1483-1546):
0%
What were the centers of power during the middle ages?
Q.9.
-French poet-musicians-court musicians-members of aristocracy and royalty-poems: chivalry, unrequited love, political and war songs, Crusades-Minnesingers: German counterpart
0%
The Chanson
100%
Troubadours and trouvères
0%
Explain renaissance style
0%
Decrescendo or diminuendo
Q.10.
-Italian composer, organist, choirmaster-worked at St. Peter's in Rome and Sistine Chapel Choir-mostly sacred compositions; over 100 Masses-pure, a cappella, vocal polyphony
0%
What was life like in a cloister?
0%
Contrabassoon:
100%
Hildegard of Bingen (1098-1179)
0%
Giovanni Pierluigi da Palestrina (c. 1525-1594)
Q.11.
Concordant or harmonious combination of tones that provides a sense of relaxation and stability in music
0%
Syncopation
100%
Consonance
0%
Tonality
0%
Crescendo
Q.12.
tournaments, processionsshawm, sackbut
0%
Ordinary of the Mass
100%
Brass Instruments (Aerophones):
0%
Loud (haut), outdoor instruments
0%
Ostinato
Q.13.
common, everyday language
100%
Vernacular
0%
Consonant
0%
Homorhythm
0%
Strophic
Q.14.
rapid alternation of two adjacent tones
0%
Minstrels
0%
offices:
0%
Strophic
100%
Trill:
Q.15.
-northern French, early renaissance composer-Italian court positions; papal choir in Rome-humanism: expressive harmony, serene melodies-sacred and secular compositions
0%
Instruments supported vocal music (middle ages)
0%
Giovanni Pierluigi da Palestrina (c. 1525-1594)
0%
Two examples of Orangum
100%
Josquin des PrezJosquin des PrezJosquin des Prez (c. 1450-1521)
Q.16.
getting faster
100%
Accelerando:
0%
Ritardando:
0%
A tempo:
0%
Crescendo
Q.17.
smooth connected melody that moves principally by small intervals
0%
disjunct
0%
consonant
0%
tonal
100%
conjunct
Q.18.
Music lacking a strong sense of beat or meter, common in certain non-Western cultures
0%
Compound
0%
Additive
100%
Non-metric
0%
Syncopation
Q.19.
-Kyrie-Gloria-Credo-Sanctus-Agnus Dei
0%
What was the counter-reformation?
0%
What was the "ordinary" part of mass comprised of?
100%
Madrigal choir, chamber choir:
0%
Loud (haut), outdoor instruments
Q.20.
The ideals of knighthood and the devotion to the Virgin Mary
0%
Diatonic
100%
What helped to raise the status of women in the middle ages?
0%
What was life like in a cloister?
0%
Notre Dame School (middle ages)
Q.21.
Trumpet, trombone, french horn, euphonium, tuba
0%
Rhythm Section
0%
Percussion Section
0%
String Section
100%
Brass Section
Q.22.
-ca. 1300-1377-Generally considered to be the greatest composer of the ars nova-Prolific, composed in sacred and secular styles
0%
Additive meter
0%
Triple Meter
100%
Guillaume de Machaut
0%
Josquin, Ave Maria . . . virgo serena (Hail Mary . . . gentle virgin) (1480s)
Q.23.
very
0%
Meno:
100%
Molto:
0%
Motet
0%
Forte (f),
Q.24.
Melody or harmony built from the seven tones of a major or minor scale. It encompasses patterns of seven whole tones and semitones
0%
Consonant
0%
Chromatic
100%
Diatonic
0%
Disjunct
Q.25.
Texture in which two or more voices (or parts) elaborate the same melody simultaneously, often the result of improvisation
0%
Syncopation
0%
Monophonic
0%
Disjunct
100%
Heterophonic
Q.26.
Repeated music usually with verses.
0%
Strophic
100%
Syncopation
0%
Vernacular
0%
Chromatic
Q.27.
The early Christian church and the state
0%
Which secular leader in the Middle Ages promoted a strong, centralized government?
100%
What even marked the unofficial beginning of the Middle ages?
0%
The late Middle Ages encompasses the:
0%
What were the centers of power during the middle ages?
Q.28.
two to twelve players, one player per part
0%
Chromatic
100%
Chamber music:
0%
active chords
0%
Vernacular
Q.29.
Venice.
0%
Reed section: various-sized saxophones, clarinet
0%
Anonymous, Sumer is icumen in (Summer is come) (c. 1250)
0%
The main European port for cultural exchange of Eastern luxuries was:
0%
During the Renaissance, lands new to the Europeans were discovered, including
-Augustinian monk-excommunicated by Catholic church =Ninety-Five Theses, 1517
0%
What were the centers of power during the middle ages?
0%
Martin Luther (1483-1546):
0%
Instruments supported vocal music (middle ages)
0%
Notre Dame School (middle ages)
Q.35.
various-sized saxophones, clarinet
0%
Madrigal choir, chamber choir:
0%
What was the "ordinary" part of mass comprised of?
0%
Reed section: various-sized saxophones, clarinet
0%
Brass Section
Q.36.
produced from the instrument itself: bells, rattles, xylophones, cymbals
0%
Symphony orchestra:
0%
Idiophones:
0%
active chords
0%
offices:
Q.37.
very loud
0%
Fortissimo (ff),
0%
Mezzo forte (mf),
0%
Pianissimo (pp),
0%
Ritardando:
Q.38.
a little
0%
Meno:
0%
A tempo:
0%
Presto
0%
Poco:
Q.39.
-four-voice, a cappella madrigal-through-composed 10-line poem-lyrical, conjunct melody-mostly homophonic, consonant, full harmony-emotional words: dissonance, chromaticism, melisma, repetition
0%
Listening Guide 8: Arcadelt, Il bianco e dolce cigno (The white and sweet swan) (1538)
0%
Why is most of the surviving music from the middle ages of a religious or sacred theme?
0%
The final section of Britten's The Young Person's Guide to the Orchestra is a
0%
Josquin, Ave Maria . . . virgo serena (Hail Mary . . . gentle virgin) (1480s)
Q.40.
Short melodic or rhythmic idea; the smallest fragment of a theme that forms a melodic-harmonic-rhythmic unit
0%
Ostinato
0%
Syncopation
0%
Motive
0%
Movement
Q.41.
agree with each other
0%
disjunct
0%
conjunct
0%
tonal
0%
consonant
Q.42.
-Protestant revolt -mass in vernacular-hymns sung communally
0%
Hildegard of Bingen (1098-1179)
0%
Protestant Reformation
0%
Martin Luther (1483-1546):
0%
tonality
Q.43.
polyphonic vocal genre, secular in the Middle Ages but sacred or devotional thereafter
0%
Movement
0%
Neumes
0%
Motive
0%
Motet
Q.44.
growing softer
0%
Crescendo
0%
Ritardando:
0%
Mezzo piano (mp)
0%
Decrescendo or diminuendo
Q.45.
-recapture loyalty of people: accessible music-Council of Trent (1545-1563) concerns =embellishments to Gregorian chant =objected to certain instruments in church =use of popular songs in Masses =secular spirit in sacred music =irreverent attitude of church musicians =complex polyphony obscured the text-Council favored pure vocal style =simplicity, clarity =respected integrity of sacred texts =encourage piety
0%
What was the "ordinary" part of mass comprised of?
0%
What was the counter-reformation?
0%
Listening: Hildegard of Bingen: Alleluia
0%
What was secular renaissance music like in court and city life?
Q.46.
codified church music
0%
Pope Gregory the Great (r. 590-604)
0%
What were the centers of power during the middle ages?
0%
Hildegard of Bingen (1098-1179)
0%
Contrabassoon:
Q.47.
-earliest polyphony, 12th and 13th centuries -second voice added to plainchant
0%
Consonance
0%
Homorhythm
0%
round:
0%
Orangum
Q.48.
gongs, xylophone-like instruments, and drums
0%
Chamber music:
0%
A tempo:
0%
Gamelan:
0%
Tremolo:
Q.49.
The Americas
0%
Listening Guide 7: Palestrina, Pope Marcellus Mass, Gloria (1567)
0%
Listening Guide 8: Arcadelt, Il bianco e dolce cigno (The white and sweet swan) (1538)
0%
Which voice in the organum carries the original chant in sustained notes?
0%
During the Renaissance, lands new to the Europeans were discovered, including
Q.50.
Patterns of bears that subdivide into smaller, irregular groups; common in certain Eastern European musics
0%
Triple meter
0%
Additive meter
0%
Syncopation
0%
Double-stopping:
Q.51.
three-voice, a cappella polyphonic chansonlow range: male voicesslow, syncopated rhythmtext: rondeau by Machaut
0%
Listening: Hildegard of Bingen: Alleluia
0%
Listening Guide 8: Arcadelt, Il bianco e dolce cigno (The white and sweet swan) (1538)
0%
Listening Guide 7: Palestrina, Pope Marcellus Mass, Gloria (1567)
0%
Machaut, Puis qu'en oubli (Since I am forgotten) (mid-14th century)
Q.52.
Broad, very slow
0%
Andante
0%
Vivace
0%
Adagio
0%
Largo
Q.53.
Gathering of beats into three beats per measure, with every third beat accented.
0%
Triple Meter
0%
Consonance
0%
Syncopation
0%
Crescendo
Q.54.
because of the sponsorship (patronage) of the church.
0%
Why is most of the surviving music from the middle ages of a religious or sacred theme?
0%
Disjunct
0%
Rhythm section:
0%
Brass Instruments (Aerophones):
Q.55.
At ease, slow graceful movements.
0%
Vivace
0%
Allegro
0%
Adagio
0%
Andante
Q.56.
Distance and relationship between two pitches
0%
Conjunct
0%
Interval
0%
Amplitude
0%
Tonality
Q.57.
accompanied singersinstrumental arrangements of vocal worksprominent in dance music: rhythm
0%
What helped to raise the status of women in the middle ages?
0%
Which secular leader in the Middle Ages promoted a strong, centralized government?
0%
Instruments supported vocal music (middle ages)
0%
Notre Dame School (middle ages)
Q.58.
seek to be completed or resolved in the rest chord
0%
active chords
0%
idiophones:
0%
chromatic
0%
musical timbre:
Q.59.
two violins, viola, cello
0%
What was the renaissance?
0%
The makeup of a string quartet is:
0%
Loud (haut), outdoor instruments
0%
Soft (bas ), indoor instruments
Q.60.
Complete, self-contained part within a larger musical work
0%
Motet
0%
Crescendo
0%
Movement
0%
Motive
Q.61.
early musical notation signs, square-shaped notes
0%
Motet
0%
Interval
0%
Liturgy
0%
Neumes
Q.62.
A deliberate upsetting of the normal pattern of stressed and unstressed beats; A series of accented notes that fall off the beat.
0%
Consonance
0%
Syncopation
0%
Modulation
0%
Ostinato
Q.63.
-Reenactment of the Sacrifice of Christ -Most solemn ritual of the Catholic church
0%
Non-metric
0%
conjunct
0%
active chords
0%
the mass
Q.64.
playing two separate notes on the violin simultaneously
0%
Rhythm section:
0%
Chamber music:
0%
Transposition
0%
Double-stopping:
Q.65.
Down beat
0%
Machaut, Puis qu'en oubli (Since I am forgotten) (mid-14th century)
0%
Why is most of the surviving music from the middle ages of a religious or sacred theme?
0%
In a conducting pattern, which is the strongest beat in any meter?
0%
The text of Machaut's chanson Puis qu'en oubli tells of:
Q.66.
Charlemagne
0%
Hildegard of Bingen (1098-1179)
0%
What were the centers of power during the middle ages?
0%
Which secular leader in the Middle Ages promoted a strong, centralized government?
0%
Instruments supported vocal music (middle ages)
Q.67.
Based on principles of major-minor tonality, as distinct from modal
0%
Chromatic
0%
Tonal
0%
Consonant
0%
Conjunct
Q.68.
Changing from one key to another
0%
Modulation
0%
Transposition
0%
Tonality
0%
Syncopation
Q.69.
rapid repetition of a tone
0%
Poco:
0%
Vernacular
0%
Tremolo:
0%
Andante
Q.70.
A moderate or medium tempo.
0%
Moderato
0%
Allegro
0%
Andante
0%
Adagio
Q.71.
-Léonin (fl. 1150-c. 1201): composer at Cathedral of Notre Dame -compiled Great Book of Organum (Magnus liber organi)-Pérotin (fl. c. 1200): Léonin's successor -expanded organum to three, four, or more voices
0%
Two examples of Orangum
0%
Protestant Reformation
0%
Which secular leader in the Middle Ages promoted a strong, centralized government?
0%
What helped to raise the status of women in the middle ages?
Q.72.
-Professional musicians: court and civic festivities-Merchant class: music-making in the home-Women in music =music education: well-bred women =women achieved fame as professional singers-Important genres: chanson and madrigals
0%
Anonymous, Sumer is icumen in (Summer is come) (c. 1250)
0%
During the Renaissance, lands new to the Europeans were discovered, including
0%
Listening Guide 7: Palestrina, Pope Marcellus Mass, Gloria (1567)
0%
What was secular renaissance music like in court and city life?
Q.73.
soft
0%
Meno:
0%
Piano (p),
0%
Triple Meter
0%
Harmonics:
Q.74.
precede major and minor scales
0%
modes:
0%
Idiophones:
0%
Moderato
0%
Mute:
Q.75.
-Life devoted to the Catholic church-religious seclusion devoted to prayer, scholarship -available to men and women
0%
The late Middle Ages encompasses the:
0%
What was life like in a cloister?
0%
What were the centers of power during the middle ages?
0%
What even marked the unofficial beginning of the Middle ages?
Q.76.
very soft
0%
Pianissimo (pp),
0%
Pentatonic scale
0%
Accelerando:
0%
Decrescendo or diminuendo
Q.77.
texture in which two or more parts move with to the same basic rhythm
0%
Homorhythm
0%
Modulation
0%
Heterophonic
0%
Consonance
Q.78.
not too much
0%
Chromatic
0%
Musical Timbre:
0%
Glissando:
0%
Non troppo:
Q.79.
courtly love.
0%
The text of Machaut's chanson Puis qu'en oubli tells of:
0%
Reed section: various-sized saxophones, clarinet
0%
One of the major advancements in the Renaissance was the invention of printing, pioneered by:
0%
Mezzo forte (mf),
Q.80.
-Franco-Flemish composer; early madrigalist-worked in Italy and France-secular compositions: chansons, madrigals-sacred compositions: Masses, motets-simpler, lyrical style
0%
Explain renaissance style
0%
What was the renaissance?
0%
Troubadours and trouvères
0%
Jacques Arcadelt (c. 1507-1568)
Q.81.
early polyphony-each voice enters in succession with same melody
0%
liturgy
0%
round:
0%
homorhythm
0%
modes:
Q.82.
Western ensemble of strings, woodwinds, brass, and percussion
0%
Symphony orchestra:
0%
Double-stopping:
0%
Homorhythm
0%
Chamber music:
Q.83.
handed down through oral tradition
0%
Andante
0%
early chant:
0%
Modulation
0%
The Chanson
Q.84.
Romanesque period
0%
Contrabassoon:
0%
The late Middle Ages encompasses the:
0%
Hildegard of Bingen (1098-1179)
0%
Notre Dame School (middle ages)
Q.85.
Cup-shaped mouthpiece attached to metal tubing
0%
What was the "ordinary" part of mass comprised of?
0%
Reed section: various-sized saxophones, clarinet
0%
Symphony orchestra:
0%
Brass Instruments (Aerophones):
Q.86.
Either a repeated melody or rhythm.
0%
Syncopation
0%
Ostinato
0%
Motive
0%
Vivace
Q.87.
-six-voice, a cappella round -two voices repeat bass pattern -upper voices: two-voice, then four-voice round-long-short-long-short rhythmic pattern"
0%
Anonymous, Sumer is icumen in (Summer is come) (c. 1250)
0%
Josquin, Ave Maria . . . virgo serena (Hail Mary . . . gentle virgin) (1480s)
0%
Listening Guide 8: Arcadelt, Il bianco e dolce cigno (The white and sweet swan) (1538)
0%
Listening: Hildegard of Bingen: Alleluia
Q.88.
-probably composed by Pérotin-prayer in praise of the Virgin Mary-three-part polyphony, alternates with monophonic chant-upper two voices melismatic, in rhythmic mode-third voice sustained below