To protect paintings which are not going to be framed beneath glass, a final coat is often added. What type of material is this final coat?
8%
Turpentine
42%
Gloss paint
8%
Egg white
42%
Varnish
Q.2.
Prior to application, paints are made into liquids by the addition of a solvent. Two examples of solvents are turpentine and white spirit, but what is the most commonly used type of solvent amongst artists?
60%
Water
10%
Toluene
10%
Acetone
20%
Methyl acetate
Q.3.
Canvas has been the most popular form of support for oil paintings for over 400 years. Today it is usually made from cotton or linen but the original canvas material was made from what?
38%
Hemp
12%
Wool
12%
Flax
38%
Goat skin
Q.4.
Watercolour may be the oldest kind of paint, possibly dating back to prehistoric cave paintings and certainly in use by the ancient Egyptians. But why is it called 'watercolour'?
67%
Because water is used to make the paint
0%
Because the paint is great for painting lakes and rivers
17%
Because the paint is water soluble
17%
Because the paint flows like water
Q.5.
Oil paints are made by binding pigments together with a kind of oil. Which of these oils have been used in oil paints?
17%
Poppy seed oil
33%
Linseed oil
17%
Walnut oil
33%
All of the above
Q.6.
Until it was replaced by canvas in the 16th century, what was the most common material for an artist to paint on?
0%
Wood
80%
Paper
0%
Card
20%
Cotton
Q.7.
What is the technique of mural painting in which a water based pigment is painted on to fresh plaster?
83%
Gecko
17%
Secco
0%
Tesco
0%
Fresco
Q.8.
A new type of paint, which is water soluble when wet but water resistant when dry, became popular in the 20th century. What is it called?
17%
Eggshell paint
50%
Acrylic paint
33%
Poster paint
0%
Satin paint
Q.9.
Just as wooden panel supports were superseded by canvas ones, which type of paint became obsolete when oils were developed?
33%
Woad
17%
Gouache
17%
Egg Tempera
33%
Bone Palampore
Q.10.
What is the name of the technique in which a brush full of solvent is loaded with diluted paint and then applied to a support which is also covered in solvent? This method should create a semi-transparent, uniformly coloured area with no brush strokes, if it is done correctly.
20%
A shine
40%
A wash
20%
A glaze
20%
A soak
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