PARIS: Thy face is mine, and thou hast slandered it. JULIET: It may be so, for it is not mine own. —
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Paris asserts his ownership over Juliet's face; her response appears to be in agreement, although she means that Romeo possesses her
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Paris asserts his ownership over Juliet's face; her response, "it is not mine own", appears to be in agreement, although she means that Romeo possesses her
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Although she appears to agree with Paris, Juliet's response, "it is not mine own", secretly refers to Romeo as the one who possesses her
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All of the above
Q.2.
"Death lies on her like an untimely frost / Upon the sweetest flower of all the field." - Capulet
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Capulet mourns his daughter's death at such a young age as an untimely "frost" which kills a "flower"
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Capulet mourns his daughter's death at such a young age as an "untimely frost" which kills a flower
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Capulet mourns his daughter's "death" at such a young age as an "untimely frost" which kills a flower
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Capulet mourns his daughter's "death" at such a young age as an "untimely frost" which kills a "flower"
Q.3.
"You have dancing shoes / With nimble soles; I have a soul of lead / So stakes me to the ground I cannot move." - Romeo
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Romeo describes his heavy mood as having a "soul of lead", meaning he is not in the mood for "dancing", unlike Mercutio, who has "dancing shoes" with "nimble soles"
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Romeo describes his heavy mood as "having a soul of lead", meaning he is not in the mood for dancing
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Romeo is not in the mood for dancing; he describes his heavy mood as having a "soul of lead"
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Romeo is not in the mood for "dancing"; he describes his heavy mood as having a soul of "lead"
Q.4.
"I will kiss thy lips. / Haply some poison yet doth hang on them, / To make me die with a restorative." - Juliet
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Juliet hopes the poison will be a restorative which will kill her alongside her beloved, rather than "restoring" her to physical health
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Juliet hopes the poison will be a "restorative" which will "kill" her alongside her beloved, rather than "restoring" her to physical health
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Juliet hopes the "poison" will be a "restorative" which will kill her alongside her beloved, rather than "restoring" her to physical health
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Juliet hopes the poison will be a "restorative" which will kill her alongside her beloved, rather than restoring her to physical health
Q.5.
"I have no joy in this contract tonight. / It is too rash, too unadvised, too sudden, / Too like the lightning which doth cease to be." - Juliet
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Juliet compares the suddenness of her agreement with Romeo to lightning, which is brilliant but short-lived
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Juliet foretells the brief nature of the love affair, describing her agreement with Romeo as "too rash, too unadvised, too sudden"
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Juliet compares the suddenness of her agreement with Romeo to lightning, because it is "too rash, too unadvised, too sudden"
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All of the above
Q.6.
"We still have known thee for a holy man." - Prince
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Although he is apparently reassuring Friar Laurence, the Prince introduces some doubt that he truly is a "holy" man
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The Prince implies that the people might have been mistaken in thinking they "know" the Friar for a holy man
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The "Prince" implies that the people of Verona were mistaken in viewing the Friar as a holy "man"
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Although he is apparently reassuring Friar Laurence, the Prince introduces some doubt in "knowing" him as a "holy man"
Q.7.
BENVOLIO: But that he tilts With piercing steel at bold Mercutio's breast, Who, all as hot, turns deadly point to point And, with a martial scorn, with one hand beats Cold death aside.
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Benvolio makes his account to the Prince of the fatal duel entertaining and tragic, using such vivid language as "piercing", "bold", "hot", "deadly" and "cold"
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Benvolio makes his account to the Prince of the fatal duel entertaining and tragic, using vivid, active verbs such as tilts, turns and beats
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Benvolio makes his account to the Prince of the fatal duel entertaining and tragic, using vivid, active verbs such as "tilts, turns and beats"
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Benvolio makes his account to the Prince of the fatal duel entertaining and tragic, using such vivid language as "piercing" steel, "bold", "hot", "deadly" point and "cold" death
Q.8.
"This dagger has mista'en, for lo, his house / Is empty on the back of Montague, / And it is mis-sheathèd in my daughter's bosom." - Capulet
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Capulet, in his grief, describes Juliet's body as a scabbard in which Romeo's "dagger" is "mis-sheathèd"
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Capulet, in his grief, describes Juliet's body as a scabbard in which Romeo's dagger is "mis-sheathèd"
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Capulet, in his grief, describes Juliet's body as a scabbard in which "Romeo's dagger" is "mis-sheathèd"
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All of the above
Q.9.
"The time and my intents are savage-wild, / More fierce and more inexorable far / Than empty tigers or the roaring sea." - Romeo
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Romeo sees himself as savage-wild, comparing his uncontrollable rage to "empty tigers" and the "roaring sea"
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Romeo sees himself as "savage-wild", comparing his uncontrollable rage to empty "tigers" and the "roaring" sea
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Romeo sees himself as "savage-wild", comparing his uncontrollable rage to "empty tigers" and the "roaring sea"
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Romeo sees himself as "savage" and "wild", comparing his uncontrollable "rage" to "empty tigers" and the "roaring sea"
Q.10.
"The most you sought was her promotion, / For 'twas your heaven she should be advanced." - Friar Laurence
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Friar Laurence accuses Capulet of selfishly promoting Juliet in order to achieve "your heaven"
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Friar Laurence accuses Capulet of selfishly promoting Juliet in order to achieve his own idea of "heaven"
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Friar Laurence accuses Capulet of selfishly "promoting" Juliet in order to achieve his own idea of heaven
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Friar Laurence accuses Capulet of selfishly "promoting Juliet" in order to achieve his own idea of "heaven"
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