Q.1
"When thus alone, I not unfrequently heard Grace Poole's laugh: the same peal, the same low, slow ha! ha! which, when first heard, had thrilled me: I heard, too, her eccentric murmurs; stranger than her laugh"
  • Jane believes "Grace Pool" to be the source of the strange sounds and "eccentric murmurs" she can hear coming from the attic
  • Jane believes "Grace Pool" to be the source of the "strange" sounds and "eccentric murmurs" she can hear coming from the attic
  • Jane believes Grace Pool to be the source of the strange sounds and "eccentric murmurs" she can hear coming from the attic
  • Jane believes Grace Pool to be the source of the strange sounds and eccentric murmurs she can hear coming from the attic
Q.2
"So I turned at the door: I saw a robed and veiled figure, so unlike my usual self that it seemed almost the image of a stranger"
  • Dressed as a bride in the "veil" chosen by Rochester, Jane no longer knows "herself": a "robed and veiled figure"
  • Dressed as a bride in the veil chosen by Rochester, Jane no longer knows herself: she sees a robed and veiled figure
  • Dressed as a bride in the veil chosen by Rochester, Jane no longer "knows" herself, instead seeing a "stranger": a "robed and veiled figure"
  • Dressed as a bride in the veil chosen by Rochester, Jane no longer knows herself, instead seeing a stranger: "a robed and veiled figure"
Q.3
"My rest might have been blissful enough, only a sad heart broke it. It plained of its gaping wounds, its inward bleeding, its riven chords"
  • Jane pictures her broken heart through physical details: its "gaping wounds", "inward bleeding" and "riven chords"
  • Jane pictures her "broken" heart through physical details: its gaping wounds, inward bleeding and riven chords
  • Jane pictures her broken "heart" through "physical" details: its gaping wounds, "inward bleeding" and "riven chords"
  • Jane pictures her broken heart through physical details: its gaping wounds, inward bleeding and "riven chords"
Q.4
"I envy you your peace of mind, your clean conscience, your unpolluted memory. Little girl, a memory without blot or contamination must be an exquisite treasure — an inexhaustible source of pure refreshment"
  • Mr Rochester views Jane as a "little girl" whose character is "clean" and "unpolluted"
  • Mr Rochester views Jane as a little girl whose character is clean and unpolluted
  • Mr Rochester views Jane as a "little girl" with a "clean conscience" and unpolluted memory
  • Mr Rochester views Jane as a little girl with a clean conscience and "unpolluted memory"
Q.5
"You shall not get it out of me to-night, sir; you must wait till to-morrow: to leave my tale half-told, will, you know, be a sort of security that I shall appear at your breakfast-table to finish it"
  • Jane both teases and comforts Rochester by promising "to leave my tale half-told"
  • By promising "to leave my tale half-told", Jane both teases and comforts Rochester
  • By promising to leave her story "half-told", Jane both teases and comforts Rochester
  • All of the above
Q.6
"'I like Thornfield; its antiquity; its retirement; its old crow-trees and thorn-trees; its grey façade, and lines of dark windows reflecting that metal welkin: and yet how long have I abhorred the very thought of it; shunned it like a great plague-house! How I do still abhor—' He ground his teeth and was silent"
  • Rochester contrasts the attractive view of his home and its grounds with the feeling of hatred caused by the "very thought of it"
  • Like Jane, the reader does not yet understand why Rochester once viewed Thornfield Hall as a "plague-house"
  • Rochester's sudden silence at the moment he might reveal the secret cause of his abhorrence for Thornfield Hall increases the air of mystery surrounding Jane
  • All of the above
Q.7
"Twenty thousand pounds shared equally, would be five thousand each, — enough and to spare: justice would be done, — mutual happiness secured. Now the wealth did not weigh on me: now it was not a mere bequest of coin, — it was a legacy of life, hope, enjoyment"
  • Jane thinks of her fortune as a "dead weight"; only when it is shared can it represent "life, hope, enjoyment"
  • Jane thinks of her fortune as a dead "weight"; only when it is shared can it represent "life, hope, enjoyment"
  • Jane thinks of her fortune as a dead weight; only when it is shared can it represent life, hope, enjoyment
  • Jane thinks of her fortune as a dead weight; only when it is shared can it represent "life, hope, enjoyment"
Q.8
"But I'll shut up Thornfield Hall: I'll nail up the front door, and board the lower windows; I'll give Mrs Poole two hundred a year to live here with , as you term that fearful hag"
  • By emphasising the words "my wife", Rochester implies that the words themselves are inaccurate
  • By emphasising the words my wife, Rochester implies that the words themselves are inaccurate
  • By emphasising the words my wife, Rochester implies that the words themselves are inaccurate
  • By emphasising the words "my wife", Rochester implies that the words themselves are "inaccurate"
Q.9
"Helen she held a little longer than me: she let her go more reluctantly; it was Helen her eye followed to the door; it was for her she a second time breathed a sad sigh; for her she wiped a tear from her cheek"
  • Jane is an observant child: she sees Miss Temple's compassion through her actions, her tears and her "sighs" for Helen
  • Jane is an observant child: she sees Miss Temple's compassion through her actions, her "tears" and her "sighs" for Helen
  • Jane is an observant child: she sees Miss Temple's compassion through her actions, her tears and her sighs for Helen
  • Jane is an observant child: she sees Miss Temple's compassion through her actions, her "tears" and her sighs for Helen
Q.10
"Had I been dreaming? Did I dream still? The old woman's voice had changed: her accent, her gesture, and all, were familiar to me as my own face in the glass — as the speech of my own tongue"
  • Mr Rochester is as familiar to Jane as her own being, her own face in the glass, her own speech
  • Mr Rochester is as familiar to Jane as her own being, her "own face in the glass", her own speech
  • Mr Rochester is as familiar to Jane as her own being, her "own face in the glass", "her own speech"
  • Mr Rochester is as familiar to Jane as her own being, her "own face in the glass", the speech of "her own tongue"
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