As a personal, physical prompt for a sequence of prayers
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As a floral tribute to the Blessed Virgin Mary
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To represent the Crown of Thorns when telling the Crucifixion narrative on Good Friday, or at any other time
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As a means of interpreting the stained-glass in the 'rose' window, e.g. of a cathedral transept
Q.2.
Catholics will always (at least, as long as physically capable) go down on their right knee as a sign of homage when arriving for Mass. What is the technical term for this action?
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Monstrance
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Genuflection
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Offertory
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Obeisance
Q.3.
The symbolism of gesturing a 'cross' shape onto oneself is probably fairly obvious, but what wording (often under the worshipper's breath) usually goes with it?
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'Holy Mary, Mother of our Blessed Lord, pray for us now and ever; Amen'
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'Almighty Lord, bless this your servant with Faith, Hope and Love; Amen'
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'In the name of the Father and of the Son and of the Holy Spirit; Amen'
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'Creator, Saviour and Sustainer of this our earthly life: protect and preserve this your servant, today and evermore: Amen'
Q.4.
What is the principal difference between the Crucifix (cross emblem) you would see in a Catholic church ~ or even worn, in miniature, about the person of a Catholic believer ~ and the variant preferred by Protestants?
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The Catholic version includes a figure of the suffering Jesus, whereas Protestants 'make do with just the plain woodwork'
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The Protestant version includes a figure of the suffering Jesus, whereas Catholics 'make do with just the plain woodwork'
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The Catholic version is always made with the Cross itself in black, and the 'corpus' (body) in paler colours of wood, metal or porcelain
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Protestants would be unlikely to wear such a symbolic 'reminder' on their person, when their personal belief is essentially not dependent on physical tokens
Q.5.
The all-embracing qualities of a well-presented Mass, of course, include visual symbolism through actions and posture of the celebrant and congregation. But meanwhile, colour plays an important role in helping the church interior feel special and 'other'. Which of the following is NOT a consideration in the Catholic use of colour?
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Candles are used to symbolise many divine attributes such as revelation, energy, purity and companionship
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There are a number of conventions of 'colour-coding' such as that the Blessed Virgin Mary is garbed in blue, and the monstrance containing the Host (spiritually, the most precious thing in the building) is usually of gold, or at least, silver
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The altar and lectern-hangings, and the vestments of the priest and sanctuary party, will probably be changed several times through the Church Year to symbolise a 'mood', such as red for the feast-days of Martyrs and the Spirit, white for festivals of Purity, solemn blue or purple for penitential seasons such as Lent or Advent...
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Stained glass windows (often reminders of Bible stories, from an age where not all churchgoers might have been able to read these for themselves) can create distinctive and atmospheric lighting effects in a church interior
Q.6.
Many faiths have their ways of invoking, or at least symbolising, cleanliness when entering their place of worship. What would probably be the first such distinctive sign of Catholics arriving at their church?
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They remove their shoes (as, like Moses, they will be 'standing on holy ground', and at a purely practical level it is unhygienic and disrespectful to bring street-dirt in onto the floor of God's House)
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They sign themselves with the gesture of a cross
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They bend down on one knee towards the altar before taking their seat
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They briefly rinse at least one hand in Holy Water at a small basin called a stoup, before doing anything else
Q.7.
The long-term version of the Service Book (as formerly used, in Latin, by priests at the altar, and containing all the various texts, rubrics and instructions) is known as the Ritual. This function is usually now superseded by duly approved vernacular versions (i.e. in the local living language) ~ many of which are published, for greater ease of use, in separate physical sections for the various rites such as Mass, funerals or whatever. What, meanwhile, is the name of the slightly handier version that congregants would have in their pews?
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The Vatican Volume/s
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The Roman Road
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The Missal
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The Catholic Congregant's Companion
Q.8.
When ~ after all those centuries ~ did the Catholic Church mostly stop using Latin at its services?
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Between the World Wars, i.e. during the 1920s and 30s (in broad parallel with other secular forms of modernisation ~ such as the more widespread coming of cars, radio and the cinema)
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From 1970, after detailed work following the Second Vatican Council (1962-5, often more concisely known as 'Vatican 2')
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Since about 1950, when the teaching of Latin in many schools fell into decline
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As of the Papacy of John Paul II (a Pole by birth, and who was in office during the end of the Communist era), who believed the Church should be engaging all people directly in their own living tongue ~ rather than one of its own traditional choice
Q.9.
'What is that peculiar, distinctive smell you usually get in Catholic churches and rarely anywhere else?'
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This comes from years and years of Ashings (on Ash Wednesday, when communicants may first be solemnly marked with a cross on their forehead, in an echo of the baptismal sign, using a paste made with the ashes of palms from the previous year's Palm Sunday)
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The spicy smell comes from the burning of incense ~ representing a 'precious burnt offering', in a tradition stretching back to the ancient Jewish roots of Christianity
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Catholic churches prefer to use only certain aromatic woods in the construction of their furniture and fittings, such as cedar, also referring back to the building of the original Temple in the Old Testament
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There is an old Catholic tradition of adding a 'mystery ingredient' into the air supply of pipe organs in their churches, which keeps the pipes clear and helps keep the congregation alert
Q.10.
One of the major differences between Catholic and Protestant doctrine is that the Roman Church requires belief in Transubstantiation ~ i.e. that in the Mass, the representative 'tokens' of bread and wine, through divine action, are transformed into the actual body and blood of Jesus: while the taste of these items in the mouth remains as it would have been, their inner essence is understood to have been changed. Which of the following is the theologically correct term to explain this distinction?
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Transensorisation
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Indwelling
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Sanctification
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Accident
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